“When his career started in the early ’90s the field looked very different. “It was basically brown,” he tells me laughing (something he does a lot). “Really, really beautifully brown and I loved it. But I was always fascinated by colour. I’m drawn to simplicity in one way but I felt the Danish tradition had turned a blind eye to the present in a way. It seemed really dated.””

the mindcraft project: Danish Ceramics Part 2: Morten Løbner Espersen